Showing Records: 1 - 20 of 369
[3-Dimensionmal Letter Poem] / Edmonds, Tom., 1968
This work is a photograph of an untitled poem box by Edmonds. -- Source of annotation: Marvin or Ruth Sackner.
{4} Poems / Altemus, Reed., 2010
The poems were composed with letraset and distorted by photocopying. -- Source of annotation: Marvin or Ruth Sackner.
5 Poemas Visuales / Padin, Clemente., 1968
There are only four cards in this item although the title calls for five cards. They are entitled Texto I, III, IV and VI. -- Source of annotation: Marvin or Ruth Sackner.
6 Cleveland Prints Vol 2 / levy, d.a.., 1964
d.a.levy was the owner of the Renegade Press. None of the prints have linear, readable elements. This copy has a two duplicate prints entitled, "lakefront at night" which was a separate purchase in 1981. The signed levy print is entitled, "leos casino." -- Source of annotation: Marvin or Ruth Sackner.
8 Infinity / Pino, Francisco., 1974
The accompanying pamphlet offers an explanation of each of the eight poems in this suite. This copy is missing one of the cards that has the poem, "evolucion de una cuartiera." -- Source of annotation: Marvin or Ruth Sackner.
9 Action Poems / Di Donato, Joseph., 1970
One poem is placed on each page. The abstract markings tend to give the poems a sense of motion. -- Source of annotation: Marvin or Ruth Sackner.
73 Poems / Goldsmith, Kenneth ; Sackner MA., 1993
Kate Rawlinson, Director of Galleries, acknowledges the "aesthetic insight and generous assistance in bringing this exhibition together." Marvin Sackner contributed an essay describing his relationship as a collector to the artist and his work. Sackner also coins the term Rap Concrete Poetry to describe the work in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.
A B C F I J K M P R S W / Kleinberg, Judy I.., 1983
Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. For most cards, there are duplicates. -- Source of annotation: Marvin or Ruth Sackner.
A Bend in the River / Wendy Wischer., 2006
The sculpture is located within a dry fish pond constructed by a previous owner of the Sackners' apartment. The dimensions of the piece are variable. -- Source of annotation: Marvin or Ruth Sackner.
A Collection of Fine Prints: Jester / Depew, Wally., 1985
The suite of 28 prints/drawings are stored in one single folder. -- Source of annotation: Marvin or Ruth Sackner.
A Collection of Fine Prints: Q Q Q / Depew, Wally., 1985
The suite of 28 prints/drawings are stored in one single folder. -- Source of annotation: Marvin or Ruth Sackner.
A Collection of Fine Prints: V Thing X / Depew, Wally., 1985
The suite of 28 prints/drawings are stored in one single folder. -- Source of annotation: Marvin or Ruth Sackner.
A Lingua Concreta / Eerdekens, Fred ; Frank P., 1990
The artist made seemingly abstract metal and wooden sculptures which when properly lit cast shadows of concrete poems. -- Source of annotation: Marvin or Ruth Sackner.
A Norman-Scottish Acrostic for Erik Satie / Furnival, John., 1980
AAA / Nichol, bp., 1986
According to jw curry in room 3o2 books 10D catalogue 2007, about 20 to 25 copies were printed to be included in Curvd H&Z card series but this did not materialize and perhaps only five copies survived. This copy is one of the five. A modificationof the piece appeared in Industrial Sabotage #39. -- Source of annotation: Marvin or Ruth Sackner.
ABC: The Aleph Beth Book / Nichol, bp., 1971
Each page consists of a picture of a single letter design that is bordered by a red frame. All the letter pictures have a brief caption except for the letter 'E'. Letter pictures for 'Y' and 'Z' are ommitted. The caption for 'A' reads Poetry Being At A Dead End Poetry and for 'B' Dead. Having Accepted This Fact We Are. -- Source of annotation: Marvin or Ruth Sackner.